Nous ne vieillirons pas ensemble/We Won’t Grow Old Together (Maurice Pialat, 1972)

John Cassavetes and Gena Rowlands on the set of A Woman Under the Influence (1971)

It was his idea that once he had written the script, he’d pick what he considered the perfect people for the parts. Then it was theirs. And they were to come in prepared from their point of view, not to worry about the script as a whole, which…not many people work that way, most people say, “Work for the good of the script.” He’d say, “Work for the good of your character, do your character. Don’t worry, the script will take care of itself.”
Gena Rowlands on John Cassavetes
ideal.

Love In The Afternoon (Eric Rohmer, 1972)

Love In The Afternoon (Eric Rohmer, 1972)
a film that feels like a warm blanket and memories of an idea of home.a film that feels like a warm blanket and memories of an idea of home.a film that feels like a warm blanket and memories of an idea of home.a film that feels like a warm blanket and memories of an idea of home.a film that feels like a warm blanket and memories of an idea of home.a film that feels like a warm blanket and memories of an idea of home.a film that feels like a warm blanket and memories of an idea of home.a film that feels like a warm blanket and memories of an idea of home.a film that feels like a warm blanket and memories of an idea of home.
my beloved wall, by caspar_v

for a change of degree in the air / the heart.


Sylvie looking at a poster of her husband Johnny Hallyday, 1965